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“classic indie-rock sounds of the late ’90s and early aughts and putting a chilled-out, psychedelic spin on them, ending up with something gorgeous and casually grandiose” – Stereogum
“Toronto quartet Grounders sound hazy but are anchored by strong pop hooks.” – Brooklyn Vegan
Following on the heels of their first two singles ‘PULL IT OVER ME’ and ‘SECRET FRIEND’, Toronto psych garage band GROUNDERS are gifting a download of their latest single “BLOOR ST & PRESSURE” from their self-titled debut album GROUNDERS released earlier this spring.
8/21 Sudbury @ The Townhouse
8/22 North Bay @ Raven and Republic
9/10 Toronto @ The Silver Dollar
9/14 Winnipeg @ The Handsome Daughter
9/15 Saskatoon @ Vangelis
9/16 Edmonton @ Wunderbar
9/17 Calgary @ Broken City
9/18 Revelstoke @ Harvest Festival
9/19-9/20 Victoria @ Rifflandia
9/22 Vancouver @ The Media Club
9/23 Bellingham @ The Shakedown
9/24 Seattle @ Rendezvous
9/25 Eugene @ Luckey’s
9/26 Portland @ White Eagle
10/1-10/2 San Francisco @ Culture Collide Festival
10/8 Los Angeles, CA @ Culture Collide Festival
10/11 Denver @ Moe’s
10/13 Chicago @ Schubas
10/14 Pittsburgh @ Spirit
10/20 Boston @ Great Scott
10/23 Moncton, NB @ Plan B
10/24-10/26 Halifax Pop Explosion
This spring, the Toronto-based band – Andrew Davis (vocals and guitar), Daniel Busheikin (keyboards), Mike Searle (Bass) and Evan Lewis (guitar) – released their first full-length album, a collection of dense and intricate pop music under the gauzy veil of krautrock and psychedelia. In the time between releasing the Wreck of a Smile EP in 2013 and laying demos for their debut album, Grounders rediscovered their love for classic pop music, an appreciation that had waned over the years as they became obsessed with circumventing the conventional. They listened to pop staples like David Bowie and Devo, and revisited old favorites like Velvet Underground, Neu! and the Zombies. When Grounders finally came up for air, they had a newfound love for pop and a glut of ideas for a debut LP.Meanwhile, Meditation for Dummies and David Lynch’s self-help guide Catching the Big Fish, on transcendental meditation and the creative process, were passed around the van while touring through North America. As Davis’s interest in meditation increased, his lyrics began to reflect his search for serenity and inner peace.
Buy it here
Pull It Over Me