Stream the upcoming LP from The Stevens, ‘Good’, now on Hype Machine

Stream the upcoming LP from The Stevens, ‘Good’, now on Hype Machine

‘Good’ is due July 14 on Chapter Music

STREAM: ‘Good’ –
Hype Machine

Photo Credit : Tahlia Palmer

Melbourne scratchy pop favourites the Stevens return with their second album Good.  Today, the Stevens are streaming their upcoming album on Hype Machine.  Good, is out July 14 on Chapter Music.  Click here to stream ‘Good’ via Hype Machine.

Good picks up where their 2014 debut A History Of Hygiene left off – 18 short songs, alternately frenetic or laconic, packed with twists and hooks that merge lo-fi outsider songcraft with 70s prog wizardry and classic rock swagger.

The Stevens formed in 2011 around guitarists Alex Macfarlane (Twerps, Tyrannamen) and New Zealand-born Travis MacDonald, and were soon joined by bassist Gus Lord (Twerps, Boomgates, Tyrannamen) and drummer Matt Harkin.

In 2012, Chapter Music re-issued the band’s self-released debut EP, six insanely catchy guitar pop songs in 13 minutes. Then in late 2014 Chapter released A History Of Hygiene. The album was written up by the likes of Pitchfork and The Guardian, reviewed by Austin Brown of Parquet Courts for Talkhouse, and played on BBC6.

The Stevens toured the US in 2015, playing Memphis’ legendary Gonerfest on the back of killer single “Thirsty Eye” (included as the final track on Good) and getting to support their hero R Stevie Moore. In Australia they have played with Wire, Parquet Courts, Real Estate and more.

The Stevens recorded Good in their own Melbourne bedrooms/jam rooms throughout 2016, and once again employed the services of New Zealand mastering engineer Tex Houston, veteran of a thousand Flying Nun releases, to give it a fuzzy polish.

The tasteful sleeve is painted by the band’s own Travis MacDonald.

Alex and Gus from The Stevens have spent the last couple of years as the newest members of Twerps, with Alex drumming on their 2015 album Range Anxiety, and Gus joining on bass a short time later.

“Evoking the libidinous parts of ’70s rock…the thirst here reveals itself to be for life more than lust.” – Pitchfork
“A perfect slice of anxious Aussie pop” – The Guardian
“This Stevens record is undeniable, it asks not to be explained, only to go with you” – Austin Brown, Talkhouse