The Proper Ornaments share cover of JAMC’s “Deep One Perfect Morning”

The Proper Ornaments share cover of JAMC’s “Deep One Perfect Morning”

Foxhole out now via Slumberland Records (US) + Tough Love Records (ROW)

STREAM: “Deep One Perfect Morning” –
SoundCloud / Under The Radar

(Photo Credit:  Photo by Alain Bib – click image for high-res version)

The Proper Ornaments – the project of James Hoare (Ultimate Painting, Veronica Falls) and Max Oscarnold (Toy) released their sophomore album Foxhole on January 20 via Slumberland Records (US) and Tough Love Records (ROW).

This week the band shares a non-album track; a cover of The Jesus & Mary Chain’s “Deep One Perfect Morning,” which you can hear now over at Under The Radar.  Here’s a quote from the band about how the track came together:

“We’ve been obsessed with Darklands for a long time now, we just love that record.  It’s difficult to differentiate the songs, it feels like a big long pessimistic one,  like existentialist Beach Boys music, where the ocean is polluted and the nice cars have been burned or stolen.”

Bio:
James and Max started out writing Foxhole, the follow up to the bands 2014 released debut album ‘Wooden Head’, in January 2015. On Foxhole they’ve sliced away a whole stratum of their sound, removing some distortion and lowering the frequency of plectrum strokes to allow more nuanced, piano-led ideas to emerge. The title isn’t a reference to Television’s jaunty proto-punk record but seems to be more of a dark, protective interior, a head space sketched out on ‘Jeremy’s Song’. While their particularly recognizable production style remains, three things stand out as likely reasons for the shift in mood. By the time they got around to recording again in James’ bedroom in Finsbury Park that Summer, the instability around the recording of ‘Wooden Head’ (and the five years before) had slid into a deep and seething acrimony. Second, they both bought pianos. Third, when the band, with Daniel Nellis and Bobby Syme joining on bass and drums went to record at Tin Room in Hackney in June, the pinch wheel on the 8 track machine was broken and somehow no one noticed. All but one recording, ‘The Frozen Stare,’ was hopelessly warped, so they went and did it all again from scratch back at James’.

“We ended up doing the whole thing there as the atmosphere suited the direction of the foxhole and we were more comfortable working on it in our own time,” says James, “We wanted to move in a slightly different direction from ‘Wooden Head’, away from the distorted guitars and into a more peaceful area.” The mechanical blow out that had wasted weeks of their time and money coincided with a thaw in their friendship, and by the time they were re-recording they were both being treated conspicuously gentler by life. “That’s why the record has a laid back, conversational, not imposing or anxious feel in my opinion,” Max says about their rapprochement, “There’s also the technical limitation of doing it on an 8 track which gives the songs a sparser sound.”

Buy ‘Foxhole’ here.