FROG EYES SHARES “JOE WITH THE JAM” ANIMATED VIDEO VIA PITCHFORK TV

Frog Eyes will release their new album Pickpocket’s Locket on August 28th, 2015via Paper Bag Records.  The album features contributions from Spencer Krug, Jesse Zubot, John Paton and Paul Rigby.  Watch the animated video for the first single  “Joe With The Jam” via Pitchfork.

Frog Eyes have also announced a number of tour dates including West Coast shows with Destroyer.  A full list of dates can be found below.

“My dad left me his acoustic guitar in his will; it was all he had to give, because he wasn’t a rich man. I wrote ten songs on it, and I think that was the real gift he gave me: a love of music, not just the way you all love it (music lovers), but also a love of creating it, sowing myself, in some small way, into the story of music.

I was holding the guitar a lot, kind of savoring it: a Martin D-18. I had been making records for a few years with a computer, piling tracks on tracks, writing words over guitar licks already recorded in a studio.

I came to think of an acoustic guitar as somehow akin to a computer, only in the sense that they are both tools of transmission, both effective in their own way.

An acoustic guitar is still, in 2015, a very effective way of transmitting one’s songs. I made a deal with myself: write ten songs, write all the words before anyone gets to hear any of the songs, memorize the songs so that I become the hard-drive that the acoustic guitar accesses. I mostly, if not totally, kept to this deal, which is rare: I’m generally pretty easy on myself.

I wrote about Joseph Beuys, about B. Traven, about God and Abraham and Isaac, about my dad being addicted to speed when he was 17.

I needed my crew and I found them. Three women: Melanie Campbell, my life-partner and long-time drummer, returned to the band after a hiatus. And my old friend Shyla Seller, an archivist and book designer who happens to also be a really precise and powerful piano player. And Terri Upton, who plays both stand-up bass, and electric bass.

I am a lucky person.

And then we needed some more crew, and we found them: our old friend and colleague Spencer Krug, who wrote string parts over the songs. And then Jesse Zubot, who played every string part on the record in one 10-hour day. And John Paton, who plays saxophone. And Paul Rigby, who caught a taxi cab over with his pedal steel guitar.

I wanted the following: Douglas Sirk strings, a noble spin on Corky’s Debt to His Father, some Darkness on the Edge of Town vibes.” – Carey Mercer